Las veinte comedias que se nos han conservado de Plauto (h. 250-184 a. C.), todas ellas adaptaciones de la Comedia Nueva griega, bastan para asegurar al autor su puesto de m\u00e1ximo comedi\u00f3grafo latino. Con un uso muy libre y animado de los originales, simplificando la trama para agradar a un p\u00fablico romano popular, Plauto cosech\u00f3 un \u00e9xito inmediato. Sus comedias plantean situaciones t\u00edpicas o descabelladas, personajes protot\u00edpicos, chistes groseros, equ\u00edvocos, enredos y todo un arsenal de recursos esc\u00e9nicos destinados a suscitar risotadas inmediatas, algunos de los cuales las convierten en comedias musicales. Plauto es un maestro en el uso del lenguaje coloquial, y no se abstiene de incurrir en obscenidades y groser\u00edas. Es un fino psic\u00f3logo que revitaliza los personajes de las comedias griegas: j\u00f3venes calaveras, prostitutas, alcahuetas, traficantes de esclavos, viejos verdes, par\u00e1sitos, soldados fanfarrones, etc. El genio de Plauto consiste en el juego constante que mantiene con el p\u00fablico acerca de la realidad y la ilusi\u00f3n, en su capacidad de extraer todas las posibilidades de las situaciones y los personajes, en la variedad de registros ling\u00fc\u00edsticos que usa con absoluto desparpajo y maestr\u00eda.Este primer volumen incluye Anfitri\u00f3n (una de las comedias m\u00e1s famosas de Plauto y la \u00fanica de tema m\u00edtico, sobre el nacimiento de H\u00e9rcules, llamada \u00abtragicomedia\u00bb porque en ella intervienen personajes tr\u00e1gicos), La comedia de los asnos o Asinaria (con personajes t\u00edpicamente plautinos: el servus currens, la tercera exigente y calculadora, el padre rival de su hijo en amores, la esposa detestada), La comedia de la olla (historia de un viejo avaro que, por miedo obsesivo a perder un tesoro, lo acaba echando a perder). Las dos B\u00e1quides (con dos seductoras cortesanas hermanas, dos j\u00f3venes enamorados, dos padres vigilantes y un esclavo astuto que hace y deshace a su antojo), Los cautivos (una excepci\u00f3n en Plauto, pues hace llorar en vez de re\u00edr) y C\u00e1sina (hilarante pieza con dos viejos y sendas esposas, dos esclavos y la pareja invisible de C\u00e1sina y Eutinico, con los enredos, amor\u00edos y celos de rigor).<\/p>\n","protected":false},"excerpt":{"rendered":"
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