DE \u00abLAS ALEGRES ERRATAS\u00bb:\u00abEl humor en el periodismo no est\u00e1 s\u00f3lo en el contenido de los art\u00edculos o comentarios a \u00e9l consagrados, sino en la involuntariedad del patinazo en lo solemne. As\u00ed, nadie que escriba de humor o con humor ha podido superar el impacto social de aquel peri\u00f3dico navarro que en su primera p\u00e1gina, y a tres columnas, anunciaba: \u201cA pesar de la crisis vocacional el se\u00f1or obispo orde\u00f1\u00f3 ayer a sesenta nuevos sacerdotes\u201d. Y eso, a pesar de la crisis vocacional, crisis que de acuerdo con la noticia, no termino de entender\u00bb.DE \u00abLOS SENOS EN LA POES\u00cdA ESPA\u00d1OLA\u00bb:\u00abEl desnudo de una mujer se resume en los senos. Y el deseo, y la vida, la maternidad, el oto\u00f1o y la pesadumbre. \u201cSenos dormidos bajo el sudario infame\/perm\u00edteme, Se\u00f1or que a\u00fan los sue\u00f1e\/perm\u00edteme, Se\u00f1or que a\u00fan los ame\u201d. Recuerda Ram\u00f3n G\u00f3mez de la Serna que lo m\u00e1s esf\u00edngico de la esfinge no es su sonrisa, ni sus ojos, ni su frente, sino sus senos, en los que el secreto de la materia est\u00e1 cuajado como en ninguna otra forma\u00bb. DE \u00abDE BEETHOVEN A ANTONIO ORD\u00d3\u00d1EZ\u00bb:\u00abLa m\u00fasica del toreo no es la callada, sino la trepidante, arm\u00f3nica, triste y melodiosa de los genios. Ord\u00f3\u00f1ez, en tristeza de olvido, en pel\u00edcula antigua, es la S\u00e9ptima Sinfon\u00eda toreada. Despu\u00e9s, los sombreros al aire, los ramos de romero, las flores perdidas, los besos de las mujeres ba\u00f1ados en l\u00e1grimas, la emoci\u00f3n de los hombres que lloran sin verg\u00fcenza. Porque en el toreo, como en la m\u00fasica, como en la pintura, como en la poes\u00eda, el secreto es s\u00f3lo uno. Rozar el cielo cuando Dios lo permite\u00bb. DE \u00abEL HUMOR EN LA ALTA POL\u00cdTICA\u00bb:\u00abEn los siglos de la cultura sat\u00edrica, eran los poetas los encargados de resumir en octos\u00edlabos o endecas\u00edlabos, preferentemente, las cuitas de los poderosos. De aquel comentario de Isabel II de Espa\u00f1a referido a su esposo, don Francisco de As\u00eds de Borb\u00f3n, de \u201ces bastante m\u00e1s mujer que yo\u201d, nacieron dos epigramas que ridiculizaron para siempre al rey consorte: \u201cPaquito Natillas\/es de pasta flora,\/y orina en cuclillas\/como las se\u00f1oras\u201d. O: \u201cY don Francisco de As\u00eds,\/sacando su minga muerta,\/al amparo de una puerta\/lloriquea y hace pis\u201d\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"
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